The telepathic air remains thick with ideas and in 2021 the band becomes a republic and masters of their own Coral Island, their new, thematic, double album. How far can they push the tolerances of their own creativity? To which of the furthest reaches will their audience follow them to and, once fulfilled, which ambition will lead them onto the next? Buy TicketsĪfter nearly two decades the ideas pool in a telepathic air around the gathered members of The Coral and nothing is off the table. The topics touched upon are specific to Flowers’ hometown in Nephi, Utah – where he spent his parts of childhood and teenage years – but will resonate with anyone whose hometowns have been hit designed with similar plights: economic hardship, dwindling opportunities, substance abuse and the personal squabbles that spread like wildfire through tight knit communities. Where their last record reached celestial heights, lockdown brought frontman Brandon Flowers back down to earth, prompting a period of reflection of his origins. NME said: ‘Pressure Machine’, their second record in the space of the year, is a fascinating, character-driven record. Medicine at Midnight’s release ends the wait that was first kicked into high gear last year with the Mainstream Rock/Rock Airplay #1 ‘Shame Shame’ and bludgeoning “final f**k you to 2020” ( UPROXX) ‘No Son of Mine’, and more recently the epic ballad to cathartic scream of “Waiting on a War.” While anticipation has built exponentially with each new track, early critical notices been amongst the most enthusiastic of the band’s 26 years in the game. NME said: “ Always ready to tell the hard truths for those who can’t, Dave has proved again that he’s a voice of a generation, sitting pretty atop his peers when it comes to making unforgettable London rap classics.” Chosen by: Jez, Ticketing and Joe, Production Buy Tickets
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